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China Constructs:
Architecture, Labor, and Value on a Chinese Construction Site
by
Will Thomson
A dissertation submitted in partial fulfillment
of the requirements for the degree of
Doctor of Philosophy
Department of Anthropology
New York University
September, 2015
_____________________
Angela Zito
ProQuest Number: 3740853
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Acknowledgements
It is fitting that academic books and dissertations begin with acknowledgments
and end with bibliographies. This project of researching and writing made me keenly
aware how everything we try to say is bookended by deep intellectual and personal debts
of various kinds. I am grateful for the support, advice, and friendship of many
extraordinary people in the university setting and in the field. For the better part of the
past decade, my world centered around Xi’an and Washington Square, two places with
which I feel a great deal of affinity and destiny, to paraphrase the Chinese term yuanfen.
Formally, the word connotes a preordained connection with people or places. Guanxi is
the Chinese concept of relations more familiar to English speakers, introduced through
countless manuals on networking for doing business in China. However, yuanfen better
captures a sensibility of the significant stakes of all our relationships. In its daily use,
evoking yuanfen transforms circumstantial coincidences into cosmological connections,
by recognizing our dependence on improbable alignment of connections that produce any
moment. I want to express my gratitude to those who through circumstance and fate I
have been lucky to meet and whose support helped bring the improbable to fruition.
My advisers in graduate school each made deep impressions on my scholarship
and my life. My chair, Angela Zito, supported me as a second line of defense throughout
graduate school, always steering me towards better and more important work, and
through example, she demonstrated how to commit to ideas and how to live them in
practice. Sally Merry provided a model of the best of engaged anthropology, an
intellectual style that is at once pragmatic, understated, and radical, by confidently
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interrupting elite conversations and privileged discourses with anthropological insights.
Emily Martin’s support kept me going on numerous occasions. Her consistent
encouragement gave me confidence to experiment and a broad space to think. In the early
stages of my project planning, I gained a huge amount from studying under Setha Low
and Andrew Ross. Both also gave their time and consideration by joining my defense and
offering important advice. Victoria Hattam read several early chapters, worked with me
to expand my scope and perspective, and she pushed me to articulate some of the key
themes in this project.
The Anthropology Department of NYU was a rewarding social and intellectual
space to learn. In particular, I am grateful to Bruce Grant, Tom Abercrombie, Fred
Myers, and Susan Carol Rogers. Additionally, this project benefitted directly from
coursework with Renato Rosaldo, Harvey Molotch, and Don Kulick. I am glad to have
overlapped with so many amazing students in my time at NYU. Thanks to: Chantal
White, Yasmin Moll, Vanessa Agard-Jones, Barbara Andersen, Wenrui Chen, Damien
Stankiewicz, Rebecca Howes-Mischel, Robert Chang, Alison Cool, Dwai Banerjee,
Hyejin Nah, Natasha Raheja, Amy Lasater, Eugenia Kisin, and Rachel Lears. Thanks to
Pilar Rao, Ayako Takamori, and Lydia Boyd for taking me under their wings when I
came to the department. As my madrina, Sandra Rozental always has my back in New
York and Mexico City. Anna Wilking and Louis Römer helped by reading, commenting,
and commiserating. Graham Jones is magic. My longtime friend Elizabeth Reich helped
me make sense of academia. Ram Natarajan has been a great colleague and friend in New
York and Boston.
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